Showing posts with label combat photographer. Show all posts
Showing posts with label combat photographer. Show all posts

Wednesday, February 08, 2012

Deadline Nears in ‘Serving Abroad’ Photo Contest

By Terri Moon Cronk
American Forces Press Service

WASHINGTON, Feb. 8, 2012 – The contest deadline to submit photos is fast approaching for an exhibit titled “Serving Abroad … Through Their Eyes,” which will depict the daily life of military deployments and overseas assignments.

The contest’s focus is to show the most compelling photos of friendships, places, faces, losses and triumphs of deployment as captured through the camera lenses of military members, veterans and diplomats, said Army Lt. Col. Luke Knittig, a coordinator for the joint Defense Department and State Department project.

Feb. 20, will be the final day judges can receive photos taken overseas since 2000 by active-duty troops, veterans and Foreign Service members. Submissions can represent daily life during a deployment, in a combat zone or from a humanitarian relief mission, Knittig said.

The contest to collect photos began last Nov. 11.

The exhibit will comprise 1,000 winning pictures that will commemorate the State Department’s Art in Embassies program’s 50th anniversary. The images will be a part of an audio and video montage.

Judge will include former Secretary of State Madeleine Albright and four former chairmen of the Joint Chiefs of Staff: Air Force Gen. Richard Myers, Marine Corps Gen. Peter Pace, Navy Adm. Mike Mullen and Army Gen. Colin Powell. Powell also is a former secretary of state.

The winning photos will be announced Armed Forces Day, May 19. The 10 “Best in Show” photographers will be invited to Washington, where they will be honored and participate in the exhibition’s November VIP opening celebration.

The “Serving Abroad … Through Their Eyes” exhibit is slated to be displayed at the Smithsonian Institution’s American Art Museum, U.S. embassies around the world, the Pentagon and other prominent international venues this year, officials said.

The State Department’s Art in Embassies program, formalized by President John F. Kennedy’s administration, is one of the premier public-private partnership arts organizations in continuous operation in 180 countries worldwide, State Department officials said. It plays an important role in U.S. public diplomacy through a culturally expansive mission that creates temporary exhibits and permanent collections, artist and cultural exchange programming, and publications, they added.

Contest rules, photo specifications and submission forms are posted on the project’s website.

Thursday, May 05, 2011

‘Real Warrior’ Finds Path to Physical, Emotional Healing

By Elaine Sanchez
American Forces Press Service

WASHINGTON, May 4, 2011 – Black-and-white photos of Vietnam-era veterans line the wall at a Veterans Affairs center. Some are smiling and others are gazing at a distant point, but in all, an unseen light catches the emotion in their eyes.

The photographer, Stacy Pearsall, a veteran of the more recent wars, strove to capture the character and the experience etched in their faces while listening to their recollections of war.

“Their stories are amazing,” she said.

This line of photos on a wall in a VA center in Charleston, S.C., serves not only as Pearsall’s veteran tribute, but also a milestone in her recovery from physical and emotional wounds of war.

Just a few months earlier, Pearsall had nearly given up hope of working as a photographer again or of taking photos that didn’t serve as a haunting reminder of a painful past.

Pearsall’s photography career took off while she was in the Air Force. As a combat photographer, she took thousands of pictures over the course of her Air Force career, earning her accolades and awards from leaders at all levels of her chain of command.

She traveled extensively for her job, so she felt prepared when she was tasked to deploy to Baghdad in September 2003.

As part of her duties, Pearsall documented a school rebuilding process, and when the school marked its opening with a ceremony in February 2004, she attended. After the ceremony, as the unit prepared to head out, the Humvee she was riding in was making a tight turn on a dead-end street when a roadside bomb detonated.

Pearsall was sitting behind the driver’s seat. The impact threw her forward, and her head hit the back of the seat. But more concerned about her ears, which were bleeding from the concussive sound, she didn’t feel the neck pain until hours later. She was seen by a doctor who chalked it up to whiplash, and she was back out on a mission the next day.

Months later, the headaches and vertigo lingered, as did the severe neck pain. But concerned about her Air Force career, Pearsall didn’t seek treatment. Her deployment ended in March, and she became a student at Syracuse University for a year to hone her photography skills.

She had become accustomed to hiding her pain and the emotional after-effects of combat from others, but was unable to keep them from a friend -- a fellow photographer and Vietnam veteran -- who recognized the signs of post-traumatic stress. He connected her with a Vet Center, where she began counseling.

“It definitely helped me work through a lot of emotions and stress,” she said. “I knew whatever I said to [my therapist] wouldn’t go back to my active-duty command. There was no threat of losing my career.”

After school, Pearsall went on back-to-back deployments, first to Africa, then to Lebanon and finally, back to Iraq. The difference between her first and second Iraq deployments was like night and day, she said. In 2003, she never fired her weapon, but in 2007, she fired it constantly.

Her unit experienced heavy casualties in Diyala province. Pearsall saw bodies of Iraqis who had been executed and mutilated, and comrades shot just a few feet away, which she later had to photograph. People getting wounded or killed was a daily occurrence, she said.

A series of back-to-back events took their toll. Pearsall lost three teammates, and a day later, her video partner was wounded and evacuated. Another friend had been shot in the head right in front of her. “Nothing prepares you for the death of your friends,” she said.

Her photos from that time are haunting.

In one photo, three soldiers are gathered in a dimly lit room, faces downward as if in reflection, a single light shining through a window. Two days before, their teammate had been shot in the head just 10 feet away from where they were standing. In another photo, two soldiers are comforting each other, one close to tears, after the loss of a friend the day before.

“I’m eternally tied to the photographs that I made and those soldiers who were in those photographs,” she said.

The photographer said she had to keep her emotions in check, for her teammates and for the troops who served under her. “I think I handled things pretty well by just not addressing the emotions at the time,” she said.

Pearsall was injured again -- further damaging her neck -- when a roadside bomb detonated during a mission. A few months later, her unit was ambushed. She was running out to help a wounded soldier in the street when a cord attached to her helmet snapped her back. Her head slammed on a Stryker vehicle, again injuring her neck.

The next morning, she felt neck pain unlike anything she had felt before, and she knew it was time to get help. The doctors did an X-ray and she was on a helicopter that day. Her neck injury had grown so severe, the doctors told her, that if she had jolted her head one more time, it would have severed her spinal cord.

Pearsall’s greatest fear -- losing her career -- was now at hand, she said. And her husband, a strong source of support, was deployed at the time. “It was a really ugly time in my life,” she said.

The years of wearing 85 pounds of gear had wreaked havoc on her neck. The doctors told her she wouldn’t be able to work as a photographer or pursue another passion, riding horses, again.

But Dr. Patrick Lovegrove, an Air Force flight surgeon at the time, offered her hope through prolotherapy treatment -- which involves insertion of a 4-inch needle down to the bone -- that lasted for more than two years. Pearsall was able to get off of the pain killers and finally on the road to physical recovery.

Invested in her recovery, her doctor separated from the Air Force, but continued to donate his services to her until the therapy ended in 2009 and she switched over to the VA system.

“I’ll always owe him a debt of gratitude,” she said. The therapy enabled her to ride horses and take photos again, but she knew she’d always have some degree of pain from her degenerative condition.

“It was either adapt to life or shrivel up and die,” she said. Pearsall chose to adapt.

But the loss of her Air Force career affected her, as did the emotional wounds of war that she had pushed aside to focus on her physical recovery. She started seeing a mental health therapist about a year after her deployment.

“The military told me I couldn’t be a photographer for them anymore,” she said. “Mentally, that put me on a roller coaster. What am I good for?”

Pearsall found an answer at the VA medical center in Charleston. While she sat for hours in waiting rooms, she began to notice the men and women around her. Most of the veterans there were from the Vietnam era, and she reached out to hear their stories. She felt inspired to bring her camera and take their portraits, leading to the project that now fills a wall there.

“Just because I was disabled, didn’t make me unable,” she said. “Once I wrapped my own mind around that, I could do more.”

Pearsall plans to keep up her veteran portrait work at VA hospitals in Georgia and North Carolina, then here, and to Maryland and Virginia as well. In another effort aimed at helping veterans, Pearsall provides horse therapy to veterans through a nonprofit group.

Most recently, Pearsall offered to have her story documented for the Defense Department’s “Real Warriors” campaign in hopes of encouraging other veterans and servicemembers to seek help. The campaign in sponsored by the Defense Centers of Excellence for Psychological Health and Traumatic Brain Injury, and it features stories of service members who sought psychological treatment and continued successful military or civilian careers. Her profile is now posted on the Real Warriors website, http://realwarriors.net/.

“My hope is that if they watch my story, they’ll find a way to offload their burden,” she said. “Everyone wears a different amount, but it’s not necessary to carry it around with you all the time.”

Pearsall said the stigma that kept her from getting help has been greatly reduced through projects such as the Real Warrior campaign and through efforts by the Defense and Veterans Affairs departments.

For servicemembers still leery about getting care, Pearsall recommended online support networks, blogs and forums where people can go and shed their burdens. “You’ll see you’re not alone,” she said. “The loss of sleep, nightmares, anxiety, road rage -- they’re products of war.”

Pearsall also hopes leaders will gain a greater understanding of mental health issues and, above all, avoid judgment.

“Be positive and supportive,” she said. “You’re the first in line for that service member.”

While it’s been difficult to discuss, Pearsall said, she believes it’s important to share her story.

“If I get one person to get help if they’re having issues, then I feel like I’ve been successful,” she said.

Monday, January 31, 2011

People’s Choice – Photo Contest, Round 3

Posted by: LT Connie Braesch

We are entering week three of the People’s Choice award for this year’s Coast Guard Photo Contest. Every Monday, we are unveiling another batch of photos as we count down the top 40 of the more than 600 photos submitted.

To vote, you can go to our Flickr photo set (http://www.flickr.com/photos/coast_guard/sets/72157625698358095/) to see all the pictures nominated so far and leave your comment there. It’s your choice… your People’s Choice.

Saturday, June 09, 2007

Award-Winning Combat Videographer Keys In on People

By Gerry J. Gilmore
American Forces Press Service

June 8, 2007 –
Air Force Tech. Sgt. Gary W. Burdett's videography documents the up-close-and-personal actions of America's fighting forces around the world. Burdett, a 16-year military veteran and a member of the 1st Combat Camera Squadron at Charleston Air Force Base, S.C., is the Defense Department's Military Videographer of the Year for 2007. This is the first time he's been honored as the department's best military moving-picture shooter.

Burdett served in Iraq from May through September 2006, documenting U.S. soldiers performing combat patrols and other duty in Baghdad.

Videotaping combat missions in Iraq and elsewhere helps senior Pentagon
leaders to stay abreast of far-flung military operations and also can be employed for evidence purposes, Burdett said.

"If we didn't shoot it, who is to say it happened or didn't happen? We try to shoot things as truthfully, naked and raw as possible," Burdett said.

Shooting action in Iraq means "you have to get in there" and learn about the servicemembers' personalities, the Stuttgart, Ark., native said.

"If you don't get to know the people, you're not going to have a story," the 37-year-old combat videographer explained. "It's all about the people."

Burdett shot a video sequence in August that depicts an Iraqi being questioned by U.S. soldiers in Baghdad's Hamiyah district. The Iraqi was questioned, Burdett said, because a search of the man's house had produced a quantity of unauthorized weapons.

"He had a lot of weapons. This guy's house was set up like a gun dealership, so they were asking him a couple questions," Burdett recalled. The Americans confiscated many of the weapons, Burdett said, but he added that he didn't know what became of the Iraqi man.

Another example of Burdett's award-winning work, titled "Delta Sick Call," depicts U.S.
military medics treating Iraqi citizens near Kut, Iraq, in July.

"We had gone to Camp Delta, which was a Polish camp where the Iraqi security forces'
training academy was based," Burdett recalled.

One of the U.S. servicemembers helping to train the Iraqis was Sgt. 1st Class Patrick Malloy, a U.S. Army medic. Malloy "was teaching the Iraqi army recruits combat lifesaver skills," Burdett said, adding that the medic also treated local Iraqis living near Camp Delta.

"Probably 90 percent of the people he saw were kids," Burdett said. "That's stuff you don't normally see on the news."

The videographer attributes the relative scarcity of mainstream-media coverage of such uplifting stories from Iraq to the "boogieman on the news" syndrome that favors coverage of war's violence and gore.

Burdett relied on his Sony PD-150 video camera to document action in Iraq. The camera weighs less than 5 pounds.

Capturing the appropriate sound to accompany his moving images is an equally important element of his work, the videographer pointed out.

"Sound is huge," Burdett said. "Sound will carry a piece, because people will look at bad pictures with really good sound, but they won't watch really good pictures with bad sound."

Burdett also carried a spare video camera in Iraq, as well as an M-16 rifle. He said he didn't spend a lot of time dwelling on the danger.

"Because, if you did, there's no way you could work," he said.

Burdett recalled varying circumstances when he recorded images and sound during his tour in Iraq. For example, he saw Iraqis reacting with joy at having their electric power restored or when obtaining water service thanks to
U.S. Army Corps of Engineers' reconstruction projects.

And U.S. servicemembers on patrol would often be welcomed into Iraqi homes and be offered food or tea, he said.

"Other times, you'd go into a house to check for weapons and all the women would start crying," Burdett recalled. "And, I've learned that when that happens, there's probably something in that house or the man of the house is involved in some not-nice things."

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Friday, June 08, 2007

Combat Photographer Braves Bullets to Tell Military's Story

By Gerry J. Gilmore
American Forces Press Service

June 7, 2007 – An award-winning
Air Force photographer routinely braves bullets and bombs to tell the military's story through the lenses of his Nikon cameras. Combat photographer Tech. Sgt. Jeremy T. Lock is the Defense Department's Military Photographer of the Year for 2007. Lock also earned that honor in 2002 and 2005.

The 15-year
Air Force veteran is assigned to the 1st Combat Camera Squadron, Charleston Air Force Base, S.C. Lock has photographed U.S. servicemembers in action during multiple tours in Afghanistan and Iraq.

Combat camera photographers document
military operations from around the world, and their photos are routinely viewed by senior Pentagon leaders, Lock said. "We're the eyes and ears of the Joint Chiefs of Staff," he explained.

Lock's photos have appeared in major publications, including the New York Times and the Los Angeles Times.

His photos also are featured in the book titled, "A Day in the Life of the United States' Armed Forces," along with work by 125 of the world's-best photojournalists.

"A good photo will tell the whole story in a split-second of a frame," Lock said. "It leaves a lasting impression and will be etched into your mind."

Combat photographers "are pretty much given free rein" wherever they're sent, the 36-year-old Lock said. Working in Iraq last summer, Lock took photos of
military operations in Mosul and Ramadi.

"We go and search out stories" to photograph, the Dayton, Ohio, native said, noting that combat photographers are normally paired with military combat videographers and embedded with units as they perform their missions.

Lock employs two Nikon D2X digital cameras, one fitted with a wide-angle lens, the other with a telephoto, when he photographs combat-zone actions of U.S. servicemembers during "patrols, raids, whatever."

One of Lock's most poignant photos among his award-winning portfolio was taken in Iraq in August 2006. The image depicts a grimacing Iraqi citizen sprawled across a Ramadi street. The Iraqi was caught in the middle of a firefight between U.S. troops and insurgents, he said.

"We really don't know who shot him," Lock recalled. "We did a traffic control stop, and right before we mounted up, one of our soldiers took a bullet to the back and we got into a gunfight. After searching houses, this guy was found lying wounded on his side."

The Iraqi had been hit in the hip, Lock said, noting the injured man received medical treatment by U.S. medics and survived.

The wounded Iraqi's photo was intentionally taken from an angle, Lock noted.

"I just tried to show the viewer something different than what the normal eye would see," the veteran photographer explained.

Lock carries a 9 mm Beretta automatic pistol along with his Nikons, "so that when we're put on a team with the Army, Marines and Special Forces, we become an asset, not a hindrance." Combat troops and their photographers take turns "watching each others' backs," he noted.

Lock said he has been shot at "quite a few times" during his war-zone tours, but has emerged unscathed. He admits that his blood pressure rises during such situations.

During firefights, "adrenalin starts rushing, and your training kicks in," Lock explained. "I tend not to be scared until the night before a mission or just afterward."

Despite the danger, combat photographers have "the best job in the military," Lock emphasized.

"If I want to go flying in a plane one day, I can do that; if I want to go ride in a tank the next day, I can do that," he explained. "We have the freedom to be creative and tell stories about many, many people."

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