by 1st Lt. Justin W. Lewis
U.S. Air Forces in Europe Band Flight Commander
11/13/2015 - RAMSTEIN AIR BASE, Germany -- Republic
of Georgia Army Private 1st Class Vasil Kulijanishvili was patrolling
the perimeter of Bagram Air Base, Afghanistan with his unit Sept. 22,
2015 as one of 885 Georgian soldiers supporting NATO's Operation
Resolute Support when he was attacked and killed by Taliban militants.
The next day, Republic of Georgia Prime Minister Irakli Garibashvili led
a national moment of silence and the U.S. Ambassador to Georgia, Ian
Kelly, ordered the embassy's flag to half-staff.
Kelly said that Private Kuljanishwili's "bravery and sacrifice in
support of international security symbolize the heroism and valor of
Georgian soldiers who fight shoulder-to-shoulder with U.S. Marines and
Afghan government forces in Afghanistan - as equals, friends and
I had just arrived to my new assignment at the U.S. Air Forces in Europe
Band, Ramstein, AB, Germany when the band was invited to go to Georgia
to strengthen our national relations with the country. Our leaders
believed that American Airmen performing in-person and on television
before millions of Georgians could transcend language barriers, building
on existing cooperation to enhance proven partnerships between the
The Air Force has been using music to build partnerships, reassure
allies and maintain military traditions in Europe since the 1940s, and
to many of the band's Airmen, serving as American ambassadors of
goodwill was an every-day occurrence here.
But this was all new to me.
In the middle of the night on Oct. 15, I found myself in the Tblisi
International Airport in Georgia with police and curious onlookers
watching as 33 USAFE Bandsmen retrieved strangely-shaped suitcases
filled with tubas, tambourines and trumpets from baggage claim. We
crammed onto a bus and took off down George W. Bush Boulevard into the
capital city with Georgian military police escorts; lights flashing.
The next morning, I learned more about this beautiful yet complex
society and its 2,000 year-history from a taxi cab driver who expressed
his appreciation for America and told me how hard it was growing up in a
Soviet "colony." In broken English, he said he wanted his sons to "know
freedom," but Russia had cast a "dark shadow."
The taxi driver's perspective echoed the comments Gen. Phillip
Breedlove, Supreme Allied Commander in Europe, made to Congress earlier
this year: "[Georgia, Moldova and Ukraine] have implemented political
and economic reforms to advance democracy and integrate with Europe;
however, their ability to make further progress is significantly
constrained by Russian interference and pressure."
I couldn't help but think of those words as we traveled through the rural countryside to our first concert in Gori, Georgia.
Gori, a city of approximately 50,000 people and birthplace of Soviet
Union leader Joseph Stalin, is located just a few kilometers from the
border that caused conflict during the 2008 Russo-Georgian War. Russians
bombed and occupied the city, local leaders were forced to flee and
more than a dozen citizens were killed.
We took the stage at a beautiful Soviet-era theater that was starting to
show its age, and Georgian soldiers - some straight out of basic
training, I was told - filled the theater. As I stood in the wings, I
peered out at the camo-clad crowd as the house lights dimmed and I
wondered if music could truly transcend language barriers and enhance
As the band's commander led both national anthems and went on with the
show, I was surprised how much American music the Georgian soldiers
knew. It was as if this American music was a part of them. Their faces
brightened. There was smiling, cheering and even dancing. It was a
I thought of America's influential economy, its military might, its
geopolitical pull, and then I watched as Georgian soldiers reacted
overwhelmingly to American music.
Could culture itself be one of America's most powerful exports?
Could it be a symbol of freedom and a beacon for human rights? Could
the power of attraction to American culture inspire nations to cooperate
and see eye-to-eye in a way military force, by itself, couldn't?
When it was my turn conduct the band, the announcer thanked the soldiers
for their dedication in support of NATO efforts in Afghanistan, and
dedicated 'Amazing Grace', sung by Master Sgt. Michele Harris, to
Georgian Army Private First Class Vasil Kulijanishvili who was killed in
Afghanistan just a few weeks prior.
As I led the band through that pensive hymn, I couldn't help but think
about Private Kulijanishvili and his fellow service members on the rapid
reaction force at Bagram. I thought of his family and friends. I also
thought of all those Georgian soldiers packed into that old theater
listening to the USAFE Band.
After the show, we mingled with the soldiers in the crowd. They were
euphoric. The language barrier did not hinder our interactions as the
smiles, pats on the back, and the music said things words couldn't. This
enriching person-to-person interaction was at the very core of our goal
of preserving partnerships, sustaining relationships and improving
capacity and interoperability. It wasn't about the music, but the music
was the tool that helped us build bonds of trust with these young
soldiers who could one day share a battlefield with Americans.